Night  just  before  the  forests  debuted  at  the  festival  off  in avignon  in  1977,  the  work  of  the  then  28-year-old  Bernard-Marie Koltès.  Prospettiva150  opens  with  antonio  latella’s painful and moving version with german actor clemens schick. Latella  concentrates  his  new  production  on «the  solitude  of the different, of the foreigner, of those who seek the moment that makes men equal, at whose altar only the chosen few sit, men or demons with wings who have never descended into the forest of everyday dying».

Krystian  Lupa  is  poland’s  most  important  director and one of the most charismatic talents at an inter-national  level,  winner  of  the  13th  Europe  Theatre Prize  (2009).  The  presidents  was  written  by  Werner Schwab,  an  austrian  playwright  and  poète  maudit who died at the age of 35 in 1994, celebrated for in-tensely scatological works rich with surreal images of violence and degradation. the play is the story of three women whose life is confined by the television, religious  bigotry,  humiliating  work  and  memories  of the  past.  the  three  live  in  a  dreamlike  and  vacant world, and the definitive loss of control over their illusions leads them to become criminals.

Show with Italian surtitles

krystianlupa.com
teatrpolski.wroc.pl

An afternoon love (studio)
Daniel Blanga Gubbay, Paola Villani / with Joseph Kusendila / and with collaboration of Andrea Corsi
Pathosformel – Coproduzione Centrale Fies, Workspace Brussels
with support of Apap network – Culture Programme of the European Union (Italia) 

to follow

Daniel Blanga Gubbay, Paola Villani / and with Stefano Leone / live music Port-Royal / Pathosformel in coproduzione con Auditorium musica per Roma, centrale fies

An afternoon love (first step)
«It is not a handbook: it will not tell you how to behave or what to do to run away from troubles or from the encumbrance of abandonment. It has no plot, except maybe the investigation of movements of love, just as movements». (Pier Vittorio Tondelli on Roland Barthes’ A Lover’s Discourse: Fragments).
A basketball training that, behind the image of athleticism and competition, lets the eye perceive the world of relationships and intimacy existing among it. The relation between a man and his object has the same complexity of the one between two men? It looks like a fierce battle with the object but becomes the most persuasive of conquests; it assume the nuances of human life to return suddenly to be just a training: it is a duo choreography with just one man, who sketches the relationship in motion we always have one each other.

Alcune primavere cadono di’inverno departs from the observation of the movements of light objects moved from the air, as may happen to see during a windy day. An apparent language of gestures that – in its randomness – it is still able to give the suggestion of a willingness to communicate that can only be read from the outside. Putting alongside two bodies, a single object and a break-dancer, which although apparently indifferent but in the similarity of movements, seem to build the possibility of a dialogue between apparent randomness and control.

pathosformel.org

Gobetti | 14 October 2011 – 4.45 pm
AI MIGRANTI
direction and choreography Piergiorgio Milano/ design and performance Elena Burani, Florencia Demestri, Piergiorgio Milano, Fabio Nicolini, Roberto Sblattero, Francesco Sgrò
from an idea by Giovanna Milano
Collettivo 320Chili

Premio equilibrio 2010, ai migranti nasce dall’esigenza di approfondire la ricerca sul movimento intrapresa dal collettivo 320chili, indagando da un lato i confini fra gesto, danza e circo contemporaneo, e Dall’altro l’uomo e la sua natura.

Cavallerizza Manica Corta | 14 October 2011 – 6.00 pm
new productions section in collaboration with Festival Interplay/11
YOUR GIRL
by Alessandro Sciarroni / performers Chiara Bersani, Matteo Ramponi
Compagnia Alessandro Sciarroni – C.C.00#_corpocelest

Desire, inspection of a feeling, Your girl comes out of a study of Flaubert’s Madame Bovary. The two performers on stage, a man and a woman, study each other, touch each other, and enter into an intimacy where experience.

Cavallerizza Manica corta | 14 October 2011 – 6.45 pm
New productions section in collaboration with Festival Interplay/11
AnnotTazioni
Compagnia Stalk /di e con Daniele Albanese
Coproduzione Stalk – Tirdanza

A solo that came out of the creation of the Bando Fondo Fare Anticorpi 2010 winning project, as well as a choreographic note on attraction and absence, AnnotTazioni is a collection of notes and fragments that investigates the complexity of a composition within a simple structure.

Limone sala piccola | 14 October 2011 – 7.00 and 10.00 pm
Progetto RIC.CI – Reconstruction Italian Contemporary
/ Choreography – Ani Ottanta-Novanta / design and artistic direction Marinella Guatterini / assistant to the artistic director Myriam Dolce
DUETTO  1989/2011 – (l’importanza della trasmigrazione degli ultimi sciamani)
Parco Butterfly / choreography Alessandro Certini, Virgilio Sieni / music Igor Strawinskij / filming Alessandro Certini / with performers from Fattoria Vittadini
Fattoria Vittadini – Torinodanza

Alessandro Certini and Virgilio Sieni created Duetto in 1989, a small masterpiece of dance filmed by Certini with performers from Fattoria Vittadini, a company of current and former students from the dance theatre course at the Scuola Paolo Grassi/Fondazione Milano.

Limone sala grande | 14 October 2011 -  8.30 pm | national premiere
IL GIRO DEL MONDO IN 80 GIORNI
choreography Michele Di Stefano / with Philippe Barbut, Biagio Caravano, Haithem Dhifallah, David Kern, Roberta Mosca, Laura Scarpini & gues
MK 2011 – Torinodanza – ZTL pro

Jules Verne and his novel allow infinite mental projections. In the middle of the travel adventure, out come many of the issues that the stage corps never ceases to consider, placed as it is in the constant disequilibrium between here and elsewhere that defines presence.

direction and choreography Piergiorgio Milano/ design and performance Elena Burani, Florencia Demestri, Piergiorgio Milano, Fabio Nicolini, Roberto Sblattero, Francesco Sgrò

from an idea by Giovanna Milano

Collettivo 320Chili

Dewey Dell presents a choreography inspired by the universe of navigation: this is a purely idealistic vision, where ships and their inhabitants – sailors – form a single being, linked by work and destiny.

Cavallerizza manica corta | 15 October 2011 – 5.45 pm
New productions section in collaboration with Festival Interplay/11
SPORT
by Marco Valerio Amico, Rhuena Bracci / with Rhuena Bracci
Gruppo Nanou

Taking the influences of Muybridge and Herzog as a starting point, the choreographic process seeks to capture the moments in the sporting exercise of artistic gymnastics that the untrained human eye cannot grasp.

Cavallerizza maneggio | national premiere – 15 and 16 October 2011 6.30 pm
SECONDA (titolo provvisorio)
choreography Ambra Senatore in collaboration with Caterina Basso, Claudia Catarzi / with Ambra Senatore, Caterina Basso, Claudia Catarzi
Compagnia Ambra Senatore – ALDES-SPAM ! – Torinodanza

Ambra Senatore has long explored the interweaving between danced dynamics and theatrical elements. This project questions the boundary between construction of action, fiction in repetition, truth of presence

Carignano | 15 October 2011 – ore 20.30 | national premiere
LA RAGAZZA INDICIBILE
choreography and direction Virgilio Sieni / freely inspired from “La ragazza indicibile” by Giorgio Agamben
Torinodanza – Emilia Romagna Teatro Fondazione – Compagnia Virgilio Sieni

La ragazza indicibile (The indescribable girl) is the spectre that insinuates itself between daughter and mother, between being complete and promise of the spirit and the body, which Giorgio Agamben describes as “a caesura between the woman and the girl, the virgin and the mother, and also between the animal and the human and between the human and the divine”.

«“Odio gli indifferenti” diceva Antonio Gramsci – ribadisce Giulio Molnàr nelle note di regia-. Chi resta indifferente si appiattisce al muro e lascia fare agli altri. Non prende parte, non va in nessuna direzione, non è mai per primo, mai per secondo. Non è mai. A volte non guarda neanche. A malapena respira. Sopravvive. L’uomo indifferente non si ribella, non si appassiona, non crea, non sogna, non inventa, non urla, non cucina, non indica, non sorride. Ha il corpo molle e non fa scintille. Per questo io non voglio restare indifferente. Vorrei, a mio modo, con i pochi strumenti che ho, farmi coraggio e scegliere una strada. Un percorso, una direzione. Per farlo devo allenarmi ogni giorno e ho sempre paura che il tempo non basti mai. Per farlo nel migliore dei modi ho bisogno di maestri, di scambi, di esempi, di spunti, di armi. Mi guardo intorno, avanti, indietro, prendo appunti, faccio domande. Cerco dei complici».

fuori abbonamento

Appuntamento  clandestino  in  un  giardino pieno  di  rifiuti,  taniche  di  petrolio,  metallo arrugginito e oggetti perduti. Due venditori ambulanti raccontano le storie che animano i loro incubi e le loro fantasie con oggetti  raccolti,  che  nelle  loro  mani  diventano un  “magazzino  di  sogni”.  in  questo  delirio caleidoscopico  prendono  forma  tableaux vivants malandati e disadattati: una sirena senza  coda,  un  carro  circense,  un  bruco “strafatto” di barbiturici, un clown agorafobico e un vecchio travestito.

not included in season ticket

Towards the end of the 1970s an international expedition of pioneers ventured into the world of objects to excavate material and study its nature. One member of the team became lost, and continued his work undaunted, among dying signs and extinct shapes. Among the large number of findings were three archaeological fragments that form the “Piccoli Suicidi” Trilogy: Alka Seltzer, an effervescent tragedy; Pita, the ardent metamorphosis of a coffee bean; and Time, on the passage of time.

not included in season ticket

A refrigerator comes to life: images, shadows and paper figures explode from the appliance which transforms into an opera theatre with many stages and an orchestra pit between the vegetables and the bottles. Animals, vessels, mermaids, singers and fairground characters move to the music of Wagner’s Flying Dutchman, Bizet’s Carmen and the exhilarating tunes of Rossini.

not included in season ticket